LINDA NOCHLIN THE BODY IN PIECES PDF

Would you like to tell us about a lower price? If you are a seller for this product, would you like to suggest updates through seller support? By the end of the 18th century a sense of anxiety and crisis began to preoccupy European writers and artists in theor relationship to the past, from antiquity on, which constituted the European intellectual tradition. The grandness of that past could no longer fit into the frame of the present. Artists felt overwhelmed by the magnitude of past heroic accomplishment, its domineering influence, even of their own past accomplishment.

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We use cookies to give you the best possible experience. By using our website you agree to our use of cookies. We can notify you when this item is back in stock. John Boardman. Neil MacGregor. Sir Lawrence Gowing. David M. Robert Rosenblum. Michael Levey. Home Contact us Help Free delivery worldwide. Free delivery worldwide. Bestselling Series. Harry Potter. Popular Features. Home Learning. Notify me. Description By the end of the 18th century a sense of anxiety and crisis began to preoccupy European writers and artists in theor relationship to the past, from antiquity on, which constituted the European intellectual tradition.

The grandness of that past could no longer fit into the frame of the present. Artists felt overwhelmed by the magnitude of past heroic accomplishment, its domineering influence, even of their own past accomplishment. Beginning with artists such as Fuseli, this was soon reflected in artistic representation. The partial image, the "crop", fragmentation, the ruin and mutilation - all expressed nostalgia and grief for the loss of a vanished and unreclaimed totality, a utopian wholeness.

Often, as a form of compensation, such feelings were expressed in deliberate destructiveness and this became the new way of seeing: the notion of the modern.

The "crop" constituted a distinctively modern view of the world, the essence of modernity itself. This work, which is taken from the Walter Neurath Memorial Lecture, traces these developments as they have been expressed in representations of the human figure fragmented, mutilated and fetishized, by looking at work produced by artists from Neo-classicism to Romanticism and modern art, from Fuseli to the Impressionists, the Post-Impressionists, and beyond.

Product details Format Paperback 64 pages Dimensions x x 8. Other books in this series. Add to basket. The Romantic Child Robert Rosenblum. The Painter Depicted Michael Levey. The origins and developments of what is perhaps the essential characteristic of modern art - the fragmented image - is traced in this book.

Works ranging from the Neo-classical movement to the present day are illustrated and analyzed. She wrote extensively on issues of gender in art history and on 19th-century Realism. Rating details. Book ratings by Goodreads. Goodreads is the world's largest site for readers with over 50 million reviews.

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The Body in Pieces : The Fragment as a Metaphor of Modernity

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The body in pieces : the fragment as a metaphor of modernity / Linda Nochlin

We use cookies to give you the best possible experience. By using our website you agree to our use of cookies. We can notify you when this item is back in stock. John Boardman. Neil MacGregor. Sir Lawrence Gowing. David M.

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