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L'Art des bruits: Manifeste futuriste 1813 (Petite collection)
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Lart Bruits Manifeste 1913 by Luigi Russolo
Luigi Russolo was born in Portogruaro Veneto in His father was the local cathedral organist and director of the Schola Cantorum at Latisana. While his two elder brothers graduated from the Milan conservatory, Russolo, after joining his family in Milan in , chose to pursue painting. His Divisionist period works were influenced by Previati and particularly by Boccioni in style and subject matter. Afterwards, he participated in all Futurist soirees and exhibitions.
In it, Russolo argues that the human ear has become accustomed to the speed, energy, and noise of the urban industrial soundscape ; furthermore, this new sonic palette requires a new approach to musical instrumentation and composition. He proposes a number of conclusions about how electronics and other technology will allow futurist musicians to "substitute for the limited variety of timbres that the orchestra possesses today the infinite variety of timbres in noises, reproduced with appropriate mechanisms". The Art of Noises is considered by some authors to be one of the most important and influential texts in 20th-century musical aesthetics. Russolo states that " noise " first came into existence as the result of 19th century machines. Before this time the world was a quiet, if not silent, place. With the exception of storms , waterfalls , and tectonic activity, the noise that did punctuate this silence were not loud, prolonged, or varied.