MAGNIFICAT ARVO PART PDF

The a cappella choir piece Magnificat is based on the canticle of Mary from the Gospel of Luke, and is also one of the biblical texts frequently arranged into music. In different church traditions, it is sung during the evening or morning service. It is dedicated to Christian Grube, the former head of the Staats- und Domchor Berlin, who also performed it with his choir t its premiere on 25 May in Stuttgart. The structure of this tintinnabuli piece is transparent: the harmony, as well as the melody, moves aro…. The structure of this tintinnabuli piece is transparent: the harmony, as well as the melody, moves around a single axis — c — and the melody is shaped by the parameters of the text.

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The a cappella choir piece Magnificat is based on the canticle of Mary from the Gospel of Luke, and is also one of the biblical texts frequently arranged into music.

In different church traditions, it is sung during the evening or morning service. It is dedicated to Christian Grube, the former head of the Staats- und Domchor Berlin, who also performed it with his choir t its premiere on 25 May in Stuttgart. The structure of this tintinnabuli piece is transparent: the harmony, as well as the melody, moves aro…. The structure of this tintinnabuli piece is transparent: the harmony, as well as the melody, moves around a single axis — c — and the melody is shaped by the parameters of the text.

ECM New Series Duration 7 min. Short description The a cappella choir piece Magnificat is based on the canticle of Mary from the Gospel of Luke, and is also one of the biblical texts frequently arranged into music. Show more Show less. World premiere Completion year Commissioned by Deutscher Musikrat. Publishers Universal Edition. Language ladina. Vocal text The Canticle of Mary Canticum beatae Mariae Virginis — Luke 1, Magnificat anima mea Dominum; Et exsultavit spiritus meus in Deo salutari meo, Quia respexit humilitatem ancillae suae; ecce enim ex hoc beatam me dicent omnes generationes.

Quia fecit mihi magna qui potens est, et sanctum nomen ejus, Et misericordia ejus a progenie in progenies timentibus eum. Fecit potentiam in brachio suo; Dispersit superbos mente cordis sui.

Deposuit potentes de sede, et exaltavit humiles. Esurientes implevit bonis, et divites dimisit inanes. Suscepit Israel, puerum suum, recordatus misericordiae suae, Sicut locutus est ad patres nostros, Abraham et semini ejus in saecula. My soul doth magnify the Lord. And my spirit hath rejoiced in God my Saviour. For he hath regarded: the lowliness of his handmaiden: For behold, from henceforth: all generations shall call me blessed.

The Canticle of Mary Canticum beatae Mariae Virginis — Luke 1, Magnificat anima mea Dominum; Et exsultavit spiritus meus in Deo salutari meo, Quia respexit humilitatem ancillae suae; ecce enim ex hoc beatam me dicent omnes generationes.

For he that is mighty hath magnified me: and holy is his Name. And his mercy is on them that fear him: throughout all generations. He hath shewed strength with his arm: he hath scattered the proud in the imagination of their hearts. He hath put down the mighty from their seat: and hath exalted the humble and meek. He hath filled the hungry with good things: and the rich he hath sent empty away. He remembering his mercy hath helpen his servant Israel : As he promised to our forefathers, Abraham and his seed for ever.

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EXPRESSION IDIOMATIQUE FRANCAIS PDF

Magnificat

Its performance time is approximately seven minutes. The concept of tintinnabuli was born from a deeply rooted desire for an extremely reduced sound world which could not be measured, as it were, in kilometres, or even metres, but only in millimetres By the end the listening attention is utterly focused. At the point after the music has faded away it is particularly remarkable to hear your breath, your heartbeat, the lighting or the air conditioning system, for example. Structurally, the work can be divided into what Hillier refers to as " verse " and " tutti " sections. The tutti sections make use of either three, four, or six voice parts. The soprano soloist joins in the tutti sections at times.

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